This and That and That, too.

The title says it all; basically this is going to be a hodgepodge catch-up post because I have so many things to tell you and show you that I am sort of just randomly going to my “blog” file (where my blog pictures are) and uploading at random.  :-)  I think my dear hubby’s ADHD is rubbing off on me.  Is it contagious?

Anyway, here we go.   First, I just wanted to show you one of the purses that I am going to put together later this winter. I didn’t have time to finish it before the boutique, but I wanted to show you.  The wool needlepoint piece I got for $1 when Bruce and I had a booth at the flea market in August.  There was an antique dealer next to us, and she had this in her $1 basket.  It had a lot of faded spots, but the center was nearly perfect.  

yes, the picture is upside down. That tells you how my day has been going...

So I threw together some fabrics and laces and trims and I am stoked!!  I have no idea where I got that lace piece, or how much of the lace I will keep around it, but I do know that the flowers and lace will be a focal point.  Duh. 

Next up, I wanted to show you a couple pictures of The Muddy Gutter Boys.  Bruce (left) is in a musical trio with his two best friends.  They have been together since their teens (1964), almost a half century.  They play folk music - a lot of Kingston Trio and that sort of thing.  They are really good. And funny.

Sometimes Bruce plays guitar, sometimes banjo.  Rob, in the middle, always sits on plays his bass.  And he tells jokes while Bruce and Mike (on the right) are tuning.  Mike also plays the banjo and guitar.

They have played in such far away and exotic places as Orem, Woods Cross, and Unincorporated.  :-)  Seriously, though, they play at family gatherings, church functions, company parties, retirement facilities, etc. Basically, anybody who’ll pay their (small) fee and give them (and us wives who accompany them) a free meal.  We always have fun.

* * * * * * * * * * * * * * *

My friend Diane Matheson will arrive tomorrow (or maybe today, Friday, as you’re reading this).  We will have a few fun days of stitching and relaxing, taking London to the Farm, visiting the Humanitarian Center with my friend Bev, and I guess I will start packing, too.  Yikes.  Then we will leave next Wednesday to the 4th annual Crazy Quilting International Retreat in Estes Park, Colorado.

So, let me show you a few pictures of what our retreats have been like in the last three years.

2008:  The picture below was taken in the Denver Art Museum after we had a behind-the-scenes tour of some of the beautiful crazy quilts in their collection.

L-R: Connie K, Leslie E, MaryFrancis M, Debbie Q, Gerry K, Gerry H, me (holding Laurie B back so she won’t run away) and Janet P.

In 2009, we rented a cabin in Breckenridge, Colorado with (among other things) a hot tub.  There are legendary stories about THAT year, but don’t believe everything you hear.  hehehe.   This was the year that we were able to answer a question for the ages, one that has confounded quilters for centuries years well, maybe a few months:  What happens when CRAZY quilters get drunk?

Answer:  They make a SANE quilt!!

That was a fun year (well, they ALL were) and our numbers grew, as you can see.  In 2010 (last year) our sweet friend Hideko Ishida visited from Japan.  Our retreat was held in Estes Park, Colorado in a huge rented cabin.  Below are a couple pictures from last year.

Eating out one night

Kerry (far left) and Hideko (far right) join the others in the Stash Dash

This year, 2011, we are once again in Estes Park in an even LARGER cabin.  Our numbers continue to grow.  This year our teachers are Martha Green and Gerry Krueger.   We will have visitors from Canada and the United Kingdom.  And Texas.  Not that Texas is a foreign country (although some would argue, LOL), but at least one member who is coming lost her home and everything in the fires that have recently ravaged the state (family and furkids all safe).

So, I have a lot of packing to do (stitching stuff and dyed lace and other inventory since we will have a vendor day).  I am bringing along my seascape valance, pictured below, which you may remember from last year.   It has been upgraded from UFO to Major Focus Project this fall.

Better late than never.

Piecing a Seascape Valance

I was born and raised in Southern California and grew up loving the beach.  Although I've lived in Utah for over 25 years now and love the majestic mountains that flank the Salt Lake Valley, I will always have a bit of the sea in me.  

My parents lived in Port Hueneme (prounounced "Wy-NEE-me") in Ventura County and owned a large working boat.  Their business was named

Seashore Recovery, and along with the Coast Guard (whose primary goal was to save lives), they worked with insurance companies to save vessels all up and down the Southern California coast (my step-dad was a captain).   Sometimes they'd take a day trip on the ocean to fish, other times they'd find some quiet cove in the nearby Channel Islands, drop anchor, and stay for a few days.

Their home was very sea-themed, as you would expect.  They lived less than a mile from the ocean.  I loved visiting their light and airy condo.  When they passed away,  my brother and I saved all the family heirlooms, of course, but we also cherished the nautical items they'd collected together.  When DH & I remodeled our three bathrooms in 2008, the master bath became my seashore bathroom, in the colors that my mother loved; light green and light blue.   The southern-facing window in the bathroom was replaced, but now it needs a valance.

At Crazy Quilting International, a Yahoo group for crazy quilters from all over the world, we are having a 2010 Challenge.  It consists of a new technique or theme for every month, and some of us want to combine some or most of the techniques on a single piece.  So, I decided to do a valance in a seashore theme for my Challenge piece.  The January challenge was curved piecing and fans, so I included those in this project.

The first thing I did was measure the bathroom window.  I played around with some design ideas in my sketchbook.  I knew I wanted a valance that would hang from tabs on the top (tabs can be added on after the the CQ'ing is done, at the final construction stage), that would have a wavy bottom to lend a sea-feel, and I wanted to incorporate fans in the piecing.  

Once I had a rough design down, I taped together several sections of newsprint and made a rough pattern.  I left the curves off the newsprint, and was able to experiment with plain paper additions to get the proportions right.

From this point it was easy to trace the outline onto muslin.  For the fans, I just used rulers and curved edges to mark even blades.  I used a Sharpie permanent marker, and as you can see, the design shows through on the back.   That was done intentionally, to help with the fan piecing.

But first, I added a "sandy beach" section in the upper right.  I have to have some California gulls or a pelican in there somewhere, don't you think??  For this area I used the flip-and-sew method, except for the large corner curve.

This is my fan-piecing method, which I learned from the one and only Betty Pillsbury.  I'm not sure if she originated this method or not, but regardless, it's a great way to assure even blades.  First I selected the fabric for the first blade (in this case a silk that I had to interface), and cut out a blade that was larger than I knew I'd need.  Better safe than sorry!

You'll see below that I've flipped it over (that's the interfacing you see) and lined up the right edge of the fabric with the left edge of the pattern, overlapping by approximately 1/4".   Pin it there.  You can't see where to stitch, can you, because the fabric covers the line.

So.... that's when you turn it over (remember, you've pinned it) and stitch along the line from the back.  Pretty clever, eh?

Then turn it back over and press.  First press it on the wrong side, then flip it so the right side shows and press it again.  It'll give you a much cleaner line.

And so I continued this way until both fans were done.  The pins below are just for the picture; I don't usually pin these on the seamline where they'll be sewn, LOL!

After the "beach" and fans were completed,  I switched to fusing my pieces  This enabled me to have greater control over the shapes of the pieces, as i wanted to have a lot of curves, which typically show movement for the "ocean".  So, I'd cut a few pieces, experiment with their placement, then add fusible webbing (I used Heat & Bond, light and sewable).  Once in place, I'd fuse them to the muslin.

I tried to maintain a minimal overlap of pieces only.  Some of the slinky fabrics tend to show everything underneath (which is why these probably came from a thrift store - there's not a slinky ANYTHING in my own wardrobe for that very reason!  LOL).   But seam treatments will cover any irregularities.
      

I placed the darker fabrics along or near the bottom edges to give a feel of deeper waters toward the bottom.

Here's the entire valance pieced.

Close-up of Left Side

Close-up of Right Side

Close-up of Center

Close-up of Left Fan

So..... that's what I've been working on for the last couple weeks.